and the Spirit of Architecture Diane Y.R. Ghirardo
In den Warenkorb
Auf den Wunschzettel
280 pages
An essential new look at the Italian architect, writer, and designer whose work paved the way for the postmodern movement
This crucial reassessment of Aldo Rossi’s (1931–1997) architecture simultaneously examines his writings, drawings, and product design, including the coffeepots and clocks he designed for the Italian firm Alessi. The first Italian to receive the Pritzker Prize, Rossi rejected modernism, seeking instead a form of architecture that could transcend the aesthetic legacy of Fascism in postwar Italy. Rossi was a visionary who did not allow contemporary trends to dominate his thinking. His baroque sensibility and poetic approach, found both in his buildings and in important texts like The Architecture of the City, inspired the critic Ada Louise Huxtable to describe him as “a poet who happens to be an architect.”
Makoto Takei + Chie Nabeshima JA 105 / The Japan Architect Spring 2017
The Complete Zaha Hadid Expanded and updated
Herzog & de Meuron 2005-2007 Das Gesamtwerk, Band 6
Ganz Schweizer Landschaftsarchitektur der Gegenwart
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